Fall 2020

This course website includes the course schedule and syllabus for the Fall 2020 semester. Readings, slides and assignment instructions are linked on the schedule. Minor changes to the schedule may be necessary during the semester, and the most up-to-date information can always be found here.

Documentary Photography

photojournalism // news // online media
Week 1 | Aug. 24-28

Readings:
Course Syllabus
What the Still Photo Still Does Best (PDF)
Pictures That Change History: Why the World Needs Photojournalists (PDF)
MediaWise Voter Project tipsheet

Assignments (due Sundays at 11:59 p.m.):
❑ Photo Assignment: Five Days
❑ Find-A-Photo: Pandemic

Beyond the Studio

early cameras // street photography // visual impact
Week 2 | Aug. 31-Sept. 4

Readings:
“I believe in faking”: The Dilemma of Photographic Realism at the Dawn of Photojournalism
Through His Eyes: Charles Libby in Spokane

Assignments:
❑ Weeks 1-2 Quiz
❑ Find-A-Photo: Recently in Washington state

In the Frame

exposure // action // composition
Week 3 | Sept. 7-11

No class Monday for Labor Day

Readings:
“Design Basics” chapter excerpt, The Photographer’s Eye: Composition and Design for Better Digital Photos by Michael Freeman
Understanding Exposure in Photography (PDF)

Assignments:
Photography Assignment: Action
❑ Find-A-Photo: Sports

The Decisive Moment

breaking news // sports // right place, right time
Week 4 | Sept. 14-18

Readings:
The Most Important Skill for a Photojournalist (PDF)
Who I’ve Hired: Julianne Varacchi, Senior Photo Editor, ESPN

Assignments:
❑ Weeks 3-4 Quiz
❑ Find-A-Photo: Emotion

War & Crisis

bearing witness // victims // vultures // personal toll
Week 5 | Sept. 21-25

Readings:
Beyond the Myth of the War Photographer (PDF)
‘Who is the Enemy Here?’ The Vietnam War Pictures That Moved Them Most (PDF)
Gerda Taro: The First Woman War Photographer to Die in the Field (PDF)

Recommended Reading:
The True Story Behind an Iconic Vietnam War Photo Was Nearly Erased
“Looking At War” by Susan Sontag

Assignments:
❑ Photography Assignment: Light
❑ Find-A-Photo: Familiar Place

Colonial Lens

indigenous people // power dynamics // representation
Week 6 | Sept. 28-Oct. 2

Readings:
When the Camera Was a Weapon of Imperialism. (And When It Still Is.) (PDF)
National Geographic’s November cover falls back on a racist cliché (PDF)

Recommended Reading:
Lynsey Addario: An Unexpected Retrospective
How a Lack of Representation Is Hurting Photojournalism

Assignments:
❑ Weeks 5-6 Quiz
❑ Find-A-Photo: Enigma

The Photo Essay

LIFE // visual narrative // mid-century culture
Week 7 | Oct. 5-9

Readings:
The Shock of Robert Frank’s “The Americans” (PDF)
‘Country Doctor’: W. Eugene Smith’s Landmark Photo Essay (PDF)

Assignments:
❑ Photography Assignment: Here and Now
❑ Find-A-Photo: Protests and Demonstrations

Protest

social movements // visual symbols // first amendment rights
Week 8 | Oct. 12-16

Readings:
Magnum Photos: On Protest Photography (PDF)
Photographers are being called on to stop showing protesters’ faces. Should they? (PDF)
Photos can show protests’ complexity—or they can perpetuate old lies (PDF)
Twenty tips for staying safe while covering protests (PDF)

Recommended Reading:
In Photographing Social Justice Protests, Respect Means ‘Looking Again’ (PDF)
The Superhero Photographs of the Black Lives Matter Movement (PDF)
Interview with Photojournalist Evelyn Hockstein (PDF)

Assignments:
❑ Weeks 7-8 Quiz
❑ Find-A-Photo: Voting in 2016

Race & Civil Rights

stereotype // contrast // conflict // celebrities
Week 9 | Oct. 19-23

Readings:
Malcolm X as Visual Strategist (PDF)
Why does this legendary Black photographer’s work continue to resonate today? (PDF)
Teaching The Camera To See My Skin (PDF)

Recommended Reading:
Why We Need More Visual Journalists and Editors of Color (PDF)

Assignments:
❑ Photography Assignment: Portraits
❑ Find-A-Photo: Celebrity Portrait

Portraits

environmental // series // lighting & posing
Week 10 | Oct. 26-30

Readings:
The search for Jackie Wallace (PDF)

Assignments:
❑ Weeks 9-10 Quiz
❑ Find-A-Photo: Animal

Environment & Landscape

animal life // large-scale composition // getting there
Week 11 | Nov. 2-6

Readings:
Reckoning With Ansel Adams’s Photos Of A Mythic, Pristine American Wild West (PDF)

Assignments:
❑ Photography Assignment: Day in the Life
❑ Find-A-Photo: Beauty

Death & Disaster

whose bodies // blood // survivors
Week 12 | Nov. 9-13

No class Wednesday for Veterans Day

Readings:
When We See Photographs of Some Dead Bodies and Not Others (PDF)
Evelyn McHale: Photojournalism as Iconography (PDF)
Emmett Till’s mother opened his casket and sparked the civil rights movement (PDF)

Recommended Reading:
The War Photo No One Would Publish (PDF)
Where Are the Photos of People Dying of Covid? (PDF)
Behind the Scenes: To Publish or Not? (PDF)
After Atomic Bombings, These Photographers Worked Under Mushroom Clouds (PDF)

Assignments:
❑ Weeks 11-12 Quiz
❑ Find-A-Photo

In the Home

access // everyday life // invisible violence
Week 13 | Nov. 16-20

Readings:
Photographing Domestic Violence: Showing Uncomfortable Truths (PDF)
A Man Chronicles His Wife’s Battle with Cancer in Heartbreaking Photographs (PDF)
When Struggling Families Spark Internet Rage (PDF)
Live Chat Transcript: ‘Evicted in Colorado’ photographer (PDF)

Assignments:
❑ Photography Assignment: Pushing the Camera
❑ Find-A-Photo: Someone Like You

Thanksgiving Break: Nov. 23-27

Children

vulnerability // symbolic youth // legal considerations
Week 14 | Nov. 30-Dec. 4

Readings:
The People in the Pictures – pages v to xi
The Many Lives of Hazel Bryan (PDF)

Recommended Reading:
Where Is She Now? The Famous Flying Patagonia Baby

Assignments:
❑ Final Quiz – includes review questions
❑ Find-A-Photo: Off Topic

New Perspectives

drones // surveillance // industry transformation
Week 15 | Dec. 7-11

Recommended Readings:
The Problem With Police-Shooting Videos (PDF)
Are the police trying to stop you from taking that cellphone video? (PDF)
Photo Bill of Rights
The Photo Bill of Rights: An Interview with Three Co-Authors (PDF)
Designed to Deceive: Do These People Look Real to You?

Assignments:
❑ Final Project (due Dec. 16)

Finals Week

Week 16 | Dec. 14-18

There is no final exam for this course.